The Criterion Collection
Jan 22, 2007 — A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.
Aug 25, 2023 — Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...
Dec 3, 2019 — Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...
Feb 26, 2018 — In a new video for the Criterion Channel on FilmStruck, Marvel Comics mastermind Stan Lee talks about his friendship with Alain Resnais.
Essays
Oct 4, 2011 — Director Catherine Breillat writes about the primal pleasures of watching Pier Paolo Pasolini’s notorious film.
Essays
Jul 12, 2011 — Heeeere’s Johnny, the desperate, destructive prophet-of-the-apocalypse protagonist of Mike Leigh’s brilliantly corrosive Naked (1993), a sexually explicit update to a long line of British films, plays, and novels about angry young men. Johnny might be mistaken for a mere misanthrope,...
In Theaters
Jun 5, 2014 — Repertory Picks San Francisco moviegoers beware—the king of the monsters is stomping into town this weekend. Ishiro Honda’s 1954 classic Godzilla (a.k.a. Gojira) plays at the city’s legendary Castro Theatre on Sunday, June 8. Many remakes and imitators have come...
On the Channel
Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.
Mar 18, 2025 — This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.