Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.

Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.

David Forgacs is Professor of Contemporary Italian Studies at New York University. His recent publications include a history of violence in modern Italy. His other contributions for the Criterion Collection include a filmed interview on Miracle in Milan (Vittorio De...

Dec 6, 2024 — Richard Linklater and James Benning revisit Godard’s Breathless and Wim Wenders looks back on Paris, Texas.

May 10, 2019 — The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.

Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...

Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.

Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”

Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.

Dec 31, 2015 — Back in October, the great Liv Ullmann stopped by Criterion to film a program for the release of Jan Troell’s 1970s films The Emigrants and The New Land, which form a two-part epic in which Ullmann stars alongside Max von...