The Criterion Collection
On the Channel
Aug 5, 2018 — The writer-director of Monsoon Wedding and Salaam Bombay! takes us through an eclectic mix of favorite films, including works by Jane Campion, Lars von Trier, and Satyajit Ray.
On the Channel
Jul 19, 2018 — Can art change the world? That’s the question that has propelled writer-director Mira Nair down the various paths she’s taken as an artist, from her early explorations of stage acting and photography to her success with such films as Monsoon...
Oct 19, 2009 — Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...
May 3, 2013 — Did You See This?• Watch (above) or read Steven Soderbergh’s already famous state-of-the-art address. • Noah Baumbach and Greta Gerwig hit the streets. • Talk about micro-cinema! • Charting the course of neorealism across continents • Talking to Olivier Assayas,...
Tradition and modernity collide in the sensuous films of this Indian American director, whose vibrant portraits of urban life and cross-cultural conflict give voice to people navigating an increasingly globalized world.
The Daily
Jan 9, 2026 — This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.
Dec 9, 2025 — In her Cannes-award-winning narrative feature debut, Mira Nair sees the lives of Indian street children with an unconditionally generous gaze, taking in their world in all its contradictions and complexity.
The Daily
Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.