Can art change the world? That’s the question that has propelled writer-director Mira Nair down the various paths she’s taken as an artist, from her early explorations of stage acting and photography to her success with such films as Monsoon Wedding, Mississippi Masala, Salaam Bombay!, and Queen of Katwe. For the latest episode of Adventures in Moviegoing, now playing on the Criterion Channel on FilmStruck, Nair joins us as a guest curator, presenting some of the movies that first gave her a sense of the medium’s transformative possibilities, including Chris Marker’s La Jetée, Jane Campion’s An Angel at My Table, and Satyajit Ray’s The Music Room. She also sits down to discuss how her college years opened her eyes to cinema’s power as a form of political expression. In the above excerpt from her interview, she reminisces about finding mentors in Direct Cinema pioneers D. A. Pennebaker and Richard Leacock, who taught her what it meant to search for truth with a camera and how filmmaking could foster a deep engagement with social reality.
Carl Theodor Dreyer’s Most Unusual Experiment
In the latest episode of Observations on Film Art, scholar David Bordwell examines the deeply strange horror film Vampyr, which uses popular material as a springboard for innovations in mood and technique.
Perhaps the only thing more fun than watching a perfectly executed cinematic heist unfold is watching it unravel, as evidenced by twelve heist-movie classics now on the Criterion Channel.