The Criterion Collection
Nov 19, 2008 — “Wow, this assignment kicked my ass in a glorious way!” said Anders. “As with everyone before me, picking just ten Criterion classics is too daunting; so you have to find a system that allows you to play a favorite game,...
Allison Anders is an award-winning film and television writer and director who got her first professional break working for her mentor, Wim Wenders, on his movie Paris, Texas (1984). Her feature debut was Border Radio (1987), cowritten and codirected with...
Features
Nov 12, 2021 — First Person At the end of February of 2020, I watched The Gleaners and I with my boyfriend at BAM. It was, I thought, an ordinary day. We bought tickets in advance because we knew the small theater’s screenings always...
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...
The Daily
Sep 10, 2025 — Lee Byung-hun stars as a fired manager who hatches a deadly plan to secure gainful employment.
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
The Daily
Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
The Daily
Feb 14, 2022 — The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.
Jun 11, 2021 — We’re watching new restorations and assessing the states of Bollywood and the modern musical.