Feb 2, 2026 — One of the most influential composers of his generation, Max Richter is known for his ability to seamlessly blend traditional orchestrations with modern electronic elements. Among the more than fifty projects that he has scored are films by Denis Villeneuve,...

Apr 9, 2009 — The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...

Nov 17, 2015 — Max von Sydow has spent the past six decades cultivating one of cinema’s most illustrious careers, and now, at eighty-seven, the Swedish actor “may be on the verge of becoming a pop-culture icon,” writes Terrence Rafferty in the Atlantic.

Nov 18, 2018 — Ingmar Bergman scholar Peter Cowie explores how the great actor’s authoritative screen presence allowed him to embody the director’s fears and ideals.

May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

Mar 9, 2020 — The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.

Jun 23, 2009 — The summer 2009 issue of Film Quarterly (now in its fiftieth year!) is out, and in it renowned professor and film theorist Laura Mulvey presents a close reading of Max Ophuls’s The Earrings of Madame de . . . ,...

Oct 9, 2008 — Lola Montès, Max Ophuls’s final film and some would say greatest masterpiece, opened today in New York and Los Angeles in what is being touted as the definitive restoration. Butchered by its producers and a flop on initial release in...

Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...