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Jun 21, 2004 Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

Pasolini in Berkeley

In Theaters

Dec 1, 2016 Repertory PicksSince September, the Berkeley Art Museum & Pacific Film Archive has been honoring the great Italian actor Anna Magnani with a career-spanning retrospective of her work. This Saturday, the series continues with Pier Paolo Pasolini’s 1962 sophomore feature, Mamma...

Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Mar 5, 2018 On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.

Nov 1, 2015 Forty years ago today, we lost Pier Paolo Pasolini—the celebrated Italian filmmaker, actor, poet, novelist, journalist, playwright, painter, and public intellectual. On November 2, 1975, Pasolini was found brutally murdered on a beach in Ostia, Italy, just weeks before the...

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

July Books

The Daily

Jul 19, 2023 This month we’re reading Pasolini, Chris Marker, Christian Petzold, Lorenza Mazzetti, Derek Jarman, and more.

Pasolini at 100

The Daily

Mar 3, 2022 Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

Jan 19, 2022 The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.

June Books

The Daily

Jun 22, 2021 This month’s roundup of new and noteworthy titles opens with “a counterfactual history of the movies.”

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