The Criterion Collection
Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
Sep 9, 2025 — Paul Mescal and Jessie Buckley enthrall critics with their portrayals of parents mourning the loss of a child.
The Daily
Apr 15, 2018 — La Semaine de la Critique, or Critics’ Week, has announced the lineup for its fifty-seventh edition, running from May 9 through 17 in Cannes. The opening film will be Paul Dano’s Wildlife, and I gathered a first round of reviews...
On the Channel
Feb 25, 2021 — Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...
Essays
Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.
The Daily
Sep 17, 2017 — The Toronto International Film Festival has a single competitive program, Platform, now in its third year. This year, jurors Chen Kaige, Małgorzata Szumowska, and Wim Wenders have awarded the Toronto Platform Prize (25,000 Canadian dollars) to Warwick Thornton’s Sweet Country,...
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.