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L’avventura

Essays

Dec 11, 1989 Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Feb 27, 2017 The premiere screening of Michelangelo Antonioni’s L’avventura in 1960 was one of the most infamously divisive in Cannes Film Festival history. While Antonioni’s opaque characterizations and languorous pacing retain their ability to befuddle uninitiated viewers, these qualities also marked the...

Nov 25, 2014 Features Director Michelangelo Antonioni made these famous remarks at the press conference following the May 1960 Cannes Film Festival premiere of L’avventura. They appear here in a translation published in the spring 1962 issue of the journal Film Culture. Today...

Dec 1, 2014 Agroup of rich Italians is on a cruise off the coast of Sicily when one of their number—a moody, unhappy young woman—disappears. Murder, kidnapping, accident, suicide? Her boyfriend and her close friend search for her, but the search turns into...

Oct 26, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Apr 4, 2012 Michelangelo Antonioni changed the landscape of art cinema with his breakout L’avventura. Achingly beautiful and mysterious as a deep, dark cave, this chronicle of a disappearance and the illicit affair that rises in its wake opened in New York on...

Nov 23, 2014

The River

Essays

Sep 4, 1989 Unintentionally, Jean Renoir’s India-set drama had become an early example of the dissolution of plot critics would hail ten years later in L’avventura.

The filmmaker talks about the hypnotic quality of L’avventura, praises Alan J. Pakula’s Paranoia Trilogy, and shares how David Fincher’s The Game helped kickstart his career.

A Whole New Avventura

Short Takes

Jan 10, 2011 Stage-bound is not a term one is apt to associate with the minimalist, resolutely un-dialogue-driven movie worlds of Michelangelo Antonioni. But that hasn’t deterred Ivo van Hove (the artistic director of the Netherlands’ most acclaimed theater company) from adapting three...

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