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May 24, 2011 In 1938, Charles Chaplin deposited with the Library of Congress a script for a film to be called The Dictator, and told the press it was a project in which he would play a double role. He clearly had Hitler...

Sep 5, 2019 Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 18, 2022 Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

Sep 22, 2021 Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

Dec 20, 2016 With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

May 21, 2026 The Cannes sidebar wraps with prizes for three stories about teenage girls and another about a determined adult woman.

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The Daily

Jun 6, 2025 Wes Anderson celebrates Satyajit Ray, Chantal Akerman talks framing, and Callie Hernandez writes about Jonathan Glazer.

Mar 28, 2025 The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

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