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Sep 29, 2021 Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Jul 10, 2019 En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...

Jun 12, 2019 One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...

Dec 7, 2021 Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Jun 15, 2021 These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

Feb 14, 2020 Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.

Jun 17, 2018 The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...

Mar 30, 2018 New York. “Today’s manliest movie stars—mostly buffed-up superheroes like your Chrises Hemsworth, Pratt, and Evans—are scientifically enlarged and formed by state-of-the-art training and diet regimens,” writes Vern in the Village Voice. “Guys like Steve McQueen, Lee Marvin, Charles Bronson, and...

Sep 1, 2017 “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...

May 20, 2017 “If he hadn’t already laid claim to the title of king of the cringe-inducing confrontation and nabob of the nervous laugh with the withering Force Majeure, Ruben Östlund truly anoints himself with The Square, an excoriating razor-burn of a movie...

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