Search

Shop 4K, Blu-ray, and DVD (13)
Watch Now On The Criterion Channel

Mar 20, 2025 This month, celebrate the career of one of our greatest contemporary actors, explore a gritty period in New York City’s history, and look back on the legacy of the Vietnam War.

Dec 7, 2017 “I think that every movie gets better the second time around if you love it,” Guillermo del Toro tells Matt Zoller Seitz in an excerpt from a new book by Seitz and Simon Abrams, Guillermo del Toro’s The Devil’s Backbone....

Aug 3, 2017 Anthology Film Archives and Light Industry are teaming up on a new edition of Stan Brakhage’s Metaphors on Vision. “First published in 1963 by Jonas Mekas as a special issue of Film Culture, it stands as the major theoretical statement...

Jul 15, 2017 “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...

Jul 6, 2017 We open today’s round, considerably briefer than yesterday’s, with Ridley Scott double feature—of sorts. Movie City News alerts us to an article by Scott himself that originally appeared in the August 1979 issue of American Cinematographer: “I felt that Alien...

Jul 15, 2014 Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.

The writer and director talks about the influence of Fast Times at Ridgemont High, shares his love for Original Cast Album: “Company,” and takes his chances on a series of blind selections.

Aug 17, 2021 D. A. Pennebaker turns his camera on Stephen Sondheim and the cast of his breakthrough musical in this revelatory documentary about artists at work.

May 11, 2021 When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

Jan 26, 2010 If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.

Current Page
1
of 11

You have no items in your shopping cart