The Criterion Collection
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
The Daily
Nov 20, 2023 — This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
Nov 5, 2018 — With the gradual rollout of his two-part semi-musical, Wang is seeing his strongest reviews yet.
Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.
Jul 19, 2010 — “It is the most erotic film that I have ever made,” wrote Michael Powell of Black Narcissus. “It is all done by suggestion, but eroticism is in every frame and image, from the beginning to the end.”
Sep 22, 2009 — Abandoning the cinematic conventions and references that informed his previous works, Jean-Luc Godard’s explosive crime drama reaches new heights of spontaneity and lightning invention.