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Apr 18, 2025 When Mayor John Lindsay made it easier for filmmakers to shoot on location in New York City, he paved the way for a string of movies that captured the troubled metropolis in the late sixties and early seventies.

Jan 26, 2021 I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...

Feb 24, 2026 For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Nov 5, 2024 As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.

Apr 25, 2023 In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.

Nov 22, 2022 Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

Nov 23, 2021 First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...

Sep 25, 2020 This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

Mar 2, 2018 “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...

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