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Dec 7, 2017 Night of the Living Dead, the “multi-platform VR experience”? As Janko Roettgers reports for Variety, the virtual reality production company Supersphere and Image Ten, the company co-founded by the late director George A. Romero, are planning to turn the 1968...

Mar 16, 2010 More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Mar 2, 2009 If Dillinger is dead, who will take revenge? There were movies once that began, “Custer is dead,” in which you could reckon that a lot of Indians were going to pay the price. This bizarre film by Marco Ferreri (only...

Oct 13, 2017 The late, great George A. Romero’s masterpiece opens tonight at New York’s Film Forum in a stunning new restoration.

Aug 26, 2015 Filmmaker Keith Gordon has directed the features The Chocolate War (1988), A Midnight Clear (1992), Mother Night (1996), Waking the Dead (2000), and The Singing Detective (2003), along with multiple episodes of the series Fargo, Homeland, The Leftovers, The Killing,...

Apr 24, 2025 New features from Lynne Ramsay, Saeed Roustaee, Kristen Stewart, Hlynur Pálmason, and Ethan Coen join the lineup.

Jan 31, 2022 What have the critics been saying about this year’s winners?

Sep 24, 2021 Joanna Hogg, Terence Davies, and Lynne Ramsay look back on their days in film school; and Bill Morrison issues a warning.

Mar 5, 2018 Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Jun 1, 2017 “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

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