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Watch Now On The Criterion Channel

Nov 18, 1997 Erotic and antierotic, Crash the movie begins boldly enough with a vacantly lissome blonde (Deborah Kara Unger) dreamily opening her blouse to press a bare nipple against the enameled surface of an airplane fuselage before allowing a total stranger to...

Dec 1, 2020 The brochure for the 1961 Lincoln Continental line makes the six-seater luxury sedans look almost dainty. They come in pretty pastels: a cream called Sultana White, a fizzy yellow known as Sunburst, an ice-cream-parlor blue-green dubbed Turquoise Mist. A gloved...

Better Parts

The Daily

May 22, 2026 This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.

The writer, director, and composer talks about the enduring inspiration of The Age of Innocence, praises the tonal precision of David Cronenberg’s Crash, and shares his love for Pasolini’s potent mix of poetry and intelligence.

All That Dance!

The Daily

Dec 13, 2019 A crash course in the history of dance on film and an in-depth conversation about Pedro Costa are among this week’s items of note.

Jarmusch Season

The Daily

Jun 4, 2019 Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.

Apr 29, 2026 Deep Dives You look at Rainer Werner Fassbinder’s The Third Generation (1979), and you see the snarky, risky spirit of the New Wave movements that emerged around the world in the 1960s and ’70s in full, defiant bloom. But what...

Mar 18, 2026 This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.

Jul 29, 2025 Mystery, intrigue, and illicit passion thrive in one of America’s most complex and expansive cities, captured in all of its glory in such crime thrillers as Out of Sight, Miami Vice, and China Moon.

Nov 21, 2024 Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.

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