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Watch Now On The Criterion Channel

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Apr 29, 2026 Film at Lincoln Center’s thirteen-film series will feature an evening with the man himself.

Nov 15, 2022 A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

May 27, 2010 Dismiss from your mind, momentarily at least, the John Ford we know, who could define himself with the three words “I make westerns.” Before Stagecoach (1939), Ford’s talking pictures played out in submarines, penitentiaries, and Scottish castles, in Mesopotamia, colonial...

Aug 20, 2024 In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.

Feb 25, 2025 Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.

Nov 23, 2010 An overdub has no choice, an image cannot rejoice.—“Porpoise Song”Where there is choice, there is misery.—SwamiHow’s about some more steam?—Sonny Liston The final episode of the television show The Monkees aired March 25, 1968. Cowritten and directed by Micky Dolenz,...

Sep 18, 2025 This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.

Sep 29, 2020 In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.

The Killer

Essays

May 5, 1998 Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.

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