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Watch Now On The Criterion Channel

Jan 13, 2025 Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).

Mar 16, 2015 Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Apr 24, 2006 M ade in 1965 and still considered by many to be Marco Bellocchio’s masterpiece, Fists in the Pocket foreshadows the years of student protest in a family tragedy bordering on horror. This seminal first feature catapulted the twenty-six-year-old Bellocchio to...

Jun 13, 2012 Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.

Apr 24, 2000 “Most of Aesop’s fables have many different levels and meanings. There are those who make myths of them by choosing some feature that fits in well with the fable. But for most of the fables this is only the first...

Feb 7, 2019 Repertory Picks On Saturday evening, as part of the series A Tribute to Nicolas Roeg, the late, great director’s haunting 1973 masterpiece Don’t Look Now will show at the Brattle in Cambridge, Massachusetts, in 35 mm. (The film will be...

Jan 29, 2024 Get ready for Valentine’s Day with a collection of otherworldly love stories, and celebrate Black History Month with a selection of films exploring African American history.

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Feb 6, 2017 In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Sep 11, 2017 “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...

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