Sep 3, 2014 — In this clip from an extensive interview with Bob Fosse on The South Bank Show in March 1981, the filmmaker-choreographer recalls the idea for All That Jazz springing from one of the darkest periods of his life and discusses the...

Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.

Sep 25, 2014 — All That Jazz echoes the tropes of the classic backstage movie musical, but it’s also a groundbreaking work of cinema, thanks largely to Bob Fosse and editor Alan Heim’s avant-garde approach to editing. In this Criterion video essay, critic Matt...

Aug 22, 2014 — Through cinematography and editing, Bob Fosse made film pliable so that it could move to the rhythms of music and bodies in motion—so that it could dance. His 1979 masterpiece All That Jazz was his ultimate achievement in this regard....

Oct 4, 2018 — Repertory Picks Tonight at 7, as part of its tuneful series Cinema Jukebox, the Coolidge Corner Theatre in Brookline, Massachusetts, throws the spotlight on one of the last great American films of the 1970s, as Bob Fosse’s showstopping All That...

Aug 26, 2015 — Filmmaker Keith Gordon has directed the features The Chocolate War (1988), A Midnight Clear (1992), Mother Night (1996), Waking the Dead (2000), and The Singing Detective (2003), along with multiple episodes of the series Fargo, Homeland, The Leftovers, The Killing,...

The writer, director, and performer talks about how All That Jazz inspired the stylistic freedom of Hedwig and the Angry Inch, shares a moving story about After Life, and praises the versatility of filmmakers like Pier Paolo Pasolini and Sidney...

The actor and author talks about the life-changing experience of watching The Battle of Algiers, praises the dreamlike quality of Federico Fellini's movies, and takes home all-time favorites like All That Jazz and Odd Man Out.

The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.

The actor and director talks about the thrilling sensation of seeing All That Jazz for the first time, reminisces about watching Klute while on the set of Twilight, and reflects upon her favorite Ingmar Bergman films, such as Winter Light...