The Criterion Collection
Essays
Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.
Nov 21, 2008 — Kevin Macdonald is the grandson of the filmmaker Emeric Pressburger (A Canterbury Tale, The Red Shoes). Macdonald’s directorial credits include 2000's Academy Award–winning One Day in September, about the killing of Israeli athletes at the 1972 Munich Olympics, and 2003's...
The actor praises the melancholy tenderness of A Canterbury Tale, shares his admiration for Derek Jarman’s creative genius, and selects favorites like Sweetie and L’humanité.
Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...
Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.
The Daily
Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Feb 12, 2007 — In this classical whodunit made just after the close of World War II, swirling sexual frustrations and resentments find expression in a series of apparently motiveless murders.
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...