The Criterion Collection
Mar 17, 2014 — Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.
Sneak Peeks
Mar 21, 2014 — The great documentary filmmaker Errol Morris has interviewed his share of daunting subjects, from former Secretary of Defense Robert NcNamara to the electric-chair technician Fred Leuchter Jr. (a.k.a. Mr. Death). But in this excerpt from an interview on our new...
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
On the Channel
Jan 1, 2022 — Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.
The Daily
Jun 22, 2021 — This month’s roundup of new and noteworthy titles opens with “a counterfactual history of the movies.”
Mar 14, 2014 — Did You See This?• A Felliniesque life • A primer on African-American movie history • Errol Morris on the resuscitated A Brief History of Time • Vivian Kubrick’s photos of working with her dad • Winding through Wes Anderson’s world...
On the Channel
Dec 12, 2023 — Channel Calendars Kick off the new year with a new favorite movie! There’s plenty to choose from in January, including a heap of catnip for fans of film felines, a spotlight on classic screen siren Ava Gardner, the gripping New...
The Daily
Mar 24, 2018 — Just a day or two after Stephen Hawking left us on March 14, Isaac Butler called up Errol Morris for Slate to talk about A Brief History of Time (1991), the documentary that takes it title from Hawking’s surprise bestseller....
The Daily
Mar 14, 2018 — “How could I have written a longish book on 1940s Hollywood and have devoted so little space to Casablanca?” asks David Bordwell. The book is Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, and “I suppose I neglected Warners’ evergreen...
On the Channel
Oct 18, 2019 — An intriguing paradox lies at the heart of Errol Morris’s body of work: while his films are driven by a relentless pursuit of knowledge and facts, they ultimately reveal cinema’s inability to capture a definitive version of reality. It’s this...