Jun 6, 2025 — Wes Anderson celebrates Satyajit Ray, Chantal Akerman talks framing, and Callie Hernandez writes about Jonathan Glazer.

Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.

Oct 4, 2021 — Mills winningly enlivens the old tropes of a story we’ve seen a thousand times before.

Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Dec 10, 2017 — Awards season brings us not only lists and prizes but also roundtables. The Los Angeles Times’ Mark Olsen’s recently led a conversation among seven directors: Darren Aronofsky (mother!), Sean Baker (The Florida Project), Kathryn Bigelow (Detroit), Guillermo del Toro (The...

Sep 4, 2017 — “Greta Gerwig didn’t get much sleep leading up to the Friday premiere of her directorial debut, the coming-of-age dramedy Lady Bird, at the Telluride Film Festival,” writes Josh Rottenberg, introducing his interview with the filmmaker for the Los Angeles Times....

Dec 21, 2016 — Under the InfluenceEarlier this month, director Mike Mills paid a visit to New York in support of his third narrative feature, 20th Century Women, a deeply personal coming-of-age tale about a teenage boy growing up in Carter-era Southern California with...

Aug 16, 2018 — The Cleveland Museum of Art salutes the late Italian master Ermanno Olmi with a screening of Il posto, a touching and wisely funny look at the trials of work.

Jan 6, 2017 — Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching...

May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...