Them

Mar 17, 2022 — New restorations of the six films directed by the renowned actress will screen from coast to coast.

Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Mar 14, 2022 — The Power of the Dog is now the clear frontrunner in this year’s Oscar race.

Mar 9, 2022 — MoMI celebrates ten years of its First Look festival with five selections from previous editions.

Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.

Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante

Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.

Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

Mar 2, 2022 — The Ukrainian filmmaker has said of his 2018 feature: “Let’s call it an angry film.”

Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...