Away

Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Apr 10, 2020 — This week we’re reading Peter Wollen on Performance, Thomas Elsaesser on puzzle movies, David Bordwell on how movies work, and more.

Apr 9, 2020 — The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.

Apr 7, 2020 — How a festival responds to this crisis says a lot about how it perceives its role.

Apr 6, 2020 — An actress herself, Bosworth understood her subjects as few writers could. Plus: The latest in home viewing.

Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...

Apr 3, 2020 — Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

Apr 1, 2020 — Are Snakes Necessary?, an erotically charged tale of revenge and political intrigue, naturally features a nod to Hitchcock.

Apr 1, 2020 — Cultural institutions around the country are cutting back, but it’s the fear of losing Film Comment that has set off alarms among cinephiles.

Mar 26, 2020 — Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...