Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.

Jul 20, 2023 — The eye candy pops, the gags fly, and the debate over what selling out even means anymore rages.

Apr 7, 2023 — Along with the new Cinema Scope, we’re reading Raúl Ruiz’s diaries and conversations with Agnès Godard and Gregg Araki.

Jan 7, 2022 — Travel this weekend with Stanley Kubrick, David Bowie, Sarah Maldoror, Lana Wachowski, and Tsai Ming-liang.

Oct 25, 2011 — It’s not a movie about how things were; it’s a movie about how things are remembered.

Nov 20, 2006 — It’s been a few weeks since Peter and I started this blog, and we are gratified that the response has been so positive. We debated for a while whether or not I should have hot-linked my email address last week,...

Nov 28, 2006 — Paris. We landed here yesterday at midday, and after a quick stop at our hotel, executive producer Fumiko Takagi and I headed straight to the offices of TF1 and Canal+ in Issy-les-Moulineaux for meetings. Issy is not what you think...

Oct 25, 2013 — “I’ve been asked to select ideal Halloween viewing from Criterion’s extensive catalog,” writes the novelist, critic, broadcaster, and all-around horror maven Kim Newman. “In the interests of not incriminating myself, I’ve stayed away from releases I’ve had a hand in...

Oct 22, 2013 — Jonathan Caouette is the director of several feature-length documentaries: the award-winning personal diary film Tarnation (2004), produced by John Cameron Mitchell and Gus Van Sant; All Tomorrow’s Parties (2009), about the music festival; and Walk Away Renee (2011), the follow-up...