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Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Feb 8, 2022 A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.

Sep 29, 2021 Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 7, 2021 When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Mar 5, 2021 This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.

Feb 9, 2021 What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...

Plymptopia

Features

Sep 1, 2020 It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...

Jul 24, 2020 On our minds this week: Bruce Lee’s legacy, Alfonso Cuarón’s dystopia, Hitchcock’s hands, and those Black Lives Matter movie lists.

Jun 8, 2020 A patient and observant analyst of films and their stars, the playwright and critic has passed away. He was ninety.

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