The Criterion Collection
Aug 9, 2011 — Gillo Pontecorvo’s incendiary epic commemorates the popular uprising that had succeeded in ousting the French from Algeria in July 1962.
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
The Daily
Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.
The Daily
Aug 13, 2025 — Toronto will premiere Claire Denis’s new film and New York will present Rebecca Miller’s five-part Mr. Scorsese in its entirety.
Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.
The Daily
May 12, 2023 — This week: Swiss anarchists, Spanish analogue filmmakers, Warren Sonbert, and Jerzy Skolimowski.
Features
Apr 21, 2022 — In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
The Daily
Feb 5, 2020 — MoMA’s annual festival of nonfiction film and media is “eclectic by design.”
Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...