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The Heart

Aug 9, 2011 Gillo Pontecorvo’s incendiary epic commemorates the popular uprising that had succeeded in ousting the French from Algeria in July 1962.

Apr 23, 2001 A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

September Books

The Daily

Sep 29, 2025 Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Aug 13, 2025 Toronto will premiere Claire Denis’s new film and New York will present Rebecca Miller’s five-part Mr. Scorsese in its entirety.

Mar 25, 2025 Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.

Parallel Orders

The Daily

May 12, 2023 This week: Swiss anarchists, Spanish analogue filmmakers, Warren Sonbert, and Jerzy Skolimowski.

Apr 21, 2022 In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Doc Fortnight 2020

The Daily

Feb 5, 2020 MoMA’s annual festival of nonfiction film and media is “eclectic by design.”

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

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