The Criterion Collection
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.
The Daily
Oct 27, 2025 — The Melbourne Cinémathèque presents vibrant and enduring mashups of melodrama and social realism.
Oct 24, 2025 — It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.
The Daily
Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
The Daily
Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.
The Daily
Oct 23, 2025 — This scary season brings two new books on films by Nicolas Roeg and extensive documentation of a project Chaplin never realized.
Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.
The Daily
Oct 17, 2025 — This week brings a profile of Jafar Panahi and a conversation between Lucile Hadžihalilović and Gaspar Noé.
The Daily
Oct 16, 2025 — Vivacious and winning in comedies, she also brought a fierce power to her dramatic roles.