The Criterion Collection
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.
The Daily
Sep 23, 2025 — Josh O’Connor stars in the heist movie that slips into another genre entirely.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Sep 16, 2025 — A portrait of a new generation of feminist consciousness in the New York art world, Lizzie Borden’s first film project spikes with a persistent friction between the filmmaker and her documentary subjects.
The Daily
Sep 15, 2025 — First Nomadland, and now, Hamnet. Chloé Zhao is the first filmmaker to win the People’s Choice Award twice.
The Daily
Sep 10, 2025 — Lee Byung-hun stars as a fired manager who hatches a deadly plan to secure gainful employment.
The Daily
Sep 9, 2025 — Paul Mescal and Jessie Buckley enthrall critics with their portrayals of parents mourning the loss of a child.
The Daily
Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.