Oscar Saa, Technician of the Stars

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Jan 23, 2017 — One of the most striking elements of Something Wild, Jack Garfein’s psychologically complex examination of trauma and attachment, is the 1960s New York City its distressed characters inhabit. Shot by Eugen Schüfftan, an Oscar-winning German cinematographer renowned for the special-effects...

Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Dec 13, 2016 — Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Oct 14, 2016 — The two actors discuss their involvement with Richard Linklater’s twelve-year film production, its parallels with their own lives, and the emotional journey of making the film.

Aug 9, 2016 — The acclaimed writer-director discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process.

Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.