14’s Good, 18’s Better

Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”

Sep 20, 2019 — A fresh reading of Dr. Caligari, a deep dive into War and Peace, Terry Zwigoff’s “immersive screenings,” and Beyoncé’s multimedia project are among this week’s highlights.

Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...

Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.

Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...

Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.

Sep 5, 2019 — Fans of the Swedish director will know what to expect, but he seems to be taking his unique vision in a slightly new direction.

Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.

Aug 30, 2019 — This week, a feminist journal folds, a filmmaker pens a manifesto, and Richard Linklater commits to a twenty-year project.