The Criterion Collection
Jan 9, 2017 — Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Sep 9, 2016 — To celebrate the release of this revelatory self-portrait that weaves together footage from Johnson’s twenty-five-year career as a globetrotting documentary cinematographer, we’ve compiled a selection of writing about the film.
Mar 24, 2016 — With Edward Yang’s A Brighter Summer Day finally available in the U.S., screenwriter Hung Hung talks about his working relationship with Yang, the film’s truncated distribution and slow path to acclaim, and the real-life roots of its narrative.
Interviews
Nov 11, 2015 — There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.
Nov 20, 2014 — The two writers chat about Nehme’s new novel.
Nov 17, 2014 — Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.
Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...