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Two People

Mar 8, 2022 A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.

Mar 2, 2022 The Ukrainian filmmaker has said of his 2018 feature: “Let’s call it an angry film.”

Feb 28, 2022 Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...

Feb 24, 2022 More than seventy films, including work from Sergei Parajanov, Ana Vaz, Ben Rivers, and Daïchi Saïto, are freely available worldwide.

Doc Fortnight 2022

The Daily

Feb 23, 2022 Twenty-nine nonfiction and hybrid films will screen through March 10.

Feb 23, 2022 In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.

Feb 14, 2022 A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.

Berlin and Beyond

The Daily

Feb 11, 2022 The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.

Feb 11, 2022 The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.

Feb 9, 2022 The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...

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