The Criterion Collection
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.
Essays
Feb 15, 2012 — Comedy evolves. We long ago bid adieu to the physical acrobatics of Buster Keaton, the wisecracks of Bob Hope, the witty repartee of Cary Grant and Irene Dunne. The now-reigning comedy of embarrassment, seen in the films of Judd Apatow...
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Essays
Aug 24, 1989 — Yasujiro Ozu’s favorite theme of the stresses and strains of parent-child relationships figure prominently in this story of a raggle-taggle theater troupe giving its final performances in a small fishing village.
The Daily
Mar 26, 2026 — The star of Lady Snowblood and the Stray Cat Rock and Female Prisoner Scorpion series will be taking questions.
The Daily
Dec 4, 2024 — For the New York Film Critics Circle, Brady Corbet’s third feature is the best film of the year, but not everyone agrees.
The Daily
Sep 26, 2024 — Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.
The Daily
Apr 5, 2024 — Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.
The Daily
Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.