The Master

Nov 18, 2016 — A dazzling mix of folklore, myth, and the director’s own nighttime visions, Akira Kurosawa’s Dreams represents a late-career burst of creativity from one of the masters of Japanese cinema. Over the course of the film’s eight surreal episodes, Kurosawa moves...

Oct 16, 2015 — Beginning this Saturday, BBC Radio 4 will be unearthing some of cinema’s buried treasures in a series called Unmade Movies.

Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.

Jun 14, 2011 —   The dance along the artery The circulation of the lymph Are figured in the drift of stars —T. S. Eliot, Four Quartets   The year is 1954: a fabulous bit of film history is about to unfurl. Grips are...

Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...

Dec 7, 2010 — This exploration of how technology alters its users was not only prophetic but a personal artistic breakthrough for David Cronenberg.

Nov 18, 2010 — In Charles Laughton’s The Night of the Hunter, terror and tenderness grapple with each other as profoundly as the words HATE and LOVE when they’re tattooed, one per hand, across the knuckles of the sadistic preacher Harry Powell (Robert Mitchum)....

Aug 24, 2010 — I n a photograph of Josef von Sternberg from 1937, he looks like a character from one of his own films: a turbaned magus with elegantly trimmed beard and mustache, holding a cigarette as he gazes out obliquely, with the...

Sep 17, 2009 — Almost twenty years before they enacted such splendid suffocation in Max Ophuls’s swoony masterpiece The Earrings of Madame de . . . , the agelessly glamorous Charles Boyer and Danielle Darrieux first starred together in another tear-jerking big-screen romance. Giving...

Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.