The Criterion Collection
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
The Daily
May 24, 2023 — Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.
The Daily
May 18, 2023 — A half-hour western, a challenging essay film, and a 3D portrait of a major artist premiere as Special Screenings in Cannes.
The Daily
Apr 26, 2023 — The activist, singer, and actor dealt with stardom on his own terms.
The Daily
Apr 21, 2023 — Names in the news this week: Catherine Deneuve, John Akomfrah, Nan Goldin, György Fehér, Leiji Matsumoto, and Hayao Miyazaki.
The Daily
Apr 19, 2023 — Paul Thomas Anderson, Maria Schneider, and fictional figures—Blanche DuBois and Juliet Capulet—figure in this month’s roundup.
The Daily
Apr 13, 2023 — Martin Scorsese, Wes Anderson, Hirokazu Kore-eda, Nuri Bilge Ceylan, Alice Rohrwacher, Todd Haynes . . .