The Criterion Collection
Essays
Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.
Nov 17, 2014 — Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
In Theaters
Oct 23, 2014 — Repertory PicksNo nosy neighbors have ever been quite as troublesome as the Castavets in the great American horror film Rosemary’s Baby, which moviegoers in Cambridge, Massachusetts, can enjoy on the big screen at the historic Brattle Theatre on October 25...
In Theaters
Oct 16, 2014 — Repertory PicksThe Loft Cinema in Tucson, Arizona, is kicking off its annual Loft Film Fest tonight with a very special event. The Pulitzer Prize–winning novelist and screenwriter Larry McMurtry will appear in person for a screening of The Last Picture...
Features
Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...
Oct 1, 2014 — In the hands of director Serge Bourguignon, a potentially sensationalistic story becomes a poetic and complex investigation of love and pain.
Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.
Short Takes
Sep 11, 2014 — In this short interview, a Criterion online exclusive, the Oscar-winning actor Penélope Cruz talks about the immense inspiration she drew at a young age from the work of Pedro Almodóvar, who would later become a friend and collaborator of hers—and...
Aug 7, 2014 — Performances Today, the idea that comedian-actor-writer Lily Tomlin possesses dramatic versatility is so received that one might not realize how unexpected it was for audiences to see her in a serious role in Robert Altman’s Nashville in 1975. At that...