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Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Nov 13, 2012 Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.

Nov 13, 2012 With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.

Nov 6, 2012 When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

Oct 30, 2012 All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

Oct 25, 2012 The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

Oct 24, 2012 A highly sophisticated look at sex, relationships, and loneliness, John Schlesinger’s Sunday Bloody Sunday was controversial when it was released in 1971, mainly as a result of the casualness with which it depicts intimacy between two members of the same...

Oct 23, 2012 After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.

Sep 27, 2012 A culinary, cinematic, and musical institution is as endangered as the eels in the Thames.

Sep 19, 2012 Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.

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