A highly sophisticated look at sex, relationships, and loneliness, John Schlesinger’s Sunday Bloody Sunday was controversial when it was released in 1971, mainly as a result of the casualness with which it depicts intimacy between two members of the same gender. One side of the London-set film’s love triangle comprises a middle-aged male doctor (Peter Finch) and a young bisexual artist (Murray Head), who also happens to be carrying on an affair with a thirtysomething divorced woman (Glenda Jackson). At one point, the two men exchange an amorous kiss; by today’s standards, it is innocuous, but at the time, it caused quite a bit of discussion. In this clip from a new interview, Head (whose career has mainly been as a recording artist) charmingly recounts this tempest in a teapot.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.