A highly sophisticated look at sex, relationships, and loneliness, John Schlesinger’s Sunday Bloody Sunday was controversial when it was released in 1971, mainly as a result of the casualness with which it depicts intimacy between two members of the same gender. One side of the London-set film’s love triangle comprises a middle-aged male doctor (Peter Finch) and a young bisexual artist (Murray Head), who also happens to be carrying on an affair with a thirtysomething divorced woman (Glenda Jackson). At one point, the two men exchange an amorous kiss; by today’s standards, it is innocuous, but at the time, it caused quite a bit of discussion. In this clip from a new interview, Head (whose career has mainly been as a recording artist) charmingly recounts this tempest in a teapot.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.
Writing with the Body: Mikey and Nicky as an Actors’ Showcase
Elaine May populated her gangster-film masterpiece with acting heavyweights who could bring spontaneity to their roles. Critics Richard Brody and Carrie Rickey talk about her approach to performance in this clip.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.