Under The Age

Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Feb 4, 2018 — Leonardo DiCaprio will play Leonardo da Vinci in a film based on Walter Isaacson’s biography, reports Deadline’s Mike Fleming Jr. John Logan, who’s written Gladiator, Skyfall, and Martin Scorsese’s The Aviator starring DiCaprio, will write this one “while DiCaprio goes...

Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Sep 27, 2021 — Denzel Washington and Frances McDormand star in Coen’s first feature as a solo director.

Feb 22, 2021 — Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...

Jul 17, 2017 — “Martin Landau, the tall, intense, sometimes mischievously sinister actor best known for his role in the television series Mission: Impossible and his Oscar-winning portrayal of Bela Lugosi in the film Ed Wood, died Saturday in Los Angeles,” reports Anita Gates...

Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”