The Criterion Collection
The Daily
Nov 13, 2017 — New York. “Largely terra incognita, West German cinema before Fassbinder was distinguished by films made by returning exiles, Fritz Lang and Robert Siodmak, as well as a number of strong, critical movies, some of them international hits, by Helmut Käutner, who began his career under...
Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...
Essays
Feb 1, 1988 — Based on the novel by W.T. Burnett, this heist film set in a nameless midwestern city offered moviegoers in 1950 a new view of crime.
Jun 2, 2014 — One Scene When I first heard about The Human Condition (1959–61), I was already familiar with director Masaki Kobayashi’s irreverent Harakiri (1962), a favorite film of mine where samurai are scum of the earth and honor is equivalent to dirt....
Apr 8, 2022 — One Scene An acclaimed production designer with a knack for creating lushly romantic and historically realistic settings, Inbal Weinberg began her career in the 2000s and has since worked on a number of visually dazzling films, including Cary Joji Fukunaga’s...
Essays
Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 An artist, critic, and scholar highly respected in his native Iran but too little known in the West, Bahram Beyzaie is a gifted autodidact of traditional and modern theater and performing arts, and...
The Daily
Sep 6, 2019 — In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.
Criterion Designs
Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...
The Daily
Oct 8, 2017 — “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...
The Daily
Apr 7, 2020 — How a festival responds to this crisis says a lot about how it perceives its role.