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Miss Nippon

Mar 28, 2017 In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 1, 2017 In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Feb 13, 2017 One Scene Romantic love is poignant because it is an infinite feeling that exists in a finite frame. And Richard Linklater’s Before Trilogy is the most romantic and profound of love stories because it imbues love with the weight of...

Jan 30, 2017 Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.

Dec 29, 2016 Repertory Picks Wes Anderson fans in Oklahoma City can beat those lingering holiday blues with a complete retrospective of his feature films, including a 35 mm screening of 2004’s The Life Aquatic with Steve Zissou. Cowritten by Noah Baumbach, this...

Graham Greene on Sabotage

On the Channel

Dec 13, 2016 Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Dec 12, 2016 Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...

Nov 25, 2016 In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

Nov 24, 2016 Repertory Picks Those in Hartford and Nashville still in a gluttonous mood after tonight’s Thanksgiving meal can feast their eyes on our rerelease of the 1985 gastronomic treasure Tampopo, an episodic comedy about a fledgling ramen chef desperately trying to...

Oct 26, 2016 The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.

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