The Criterion Collection
The Daily
May 26, 2020 — Karina Longworth’s podcast You Must Remember This returns with a season devoted to the unjustly unheralded producer, production designer, and writer.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Oct 6, 2008 — Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
Aug 3, 2020 — Songbook “You’ve probably heard that one before, but what the hell. If it was never new, and it never gets old, then it’s a folk song.” first spoken dialogue in Inside Llewyn Davis The coldest murder in the Coen Brothers...
Features
May 4, 2020 — “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...
The Daily
Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...