Mar 17, 2010 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...

Apr 9, 2009 The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...

Sep 3, 2007 It came from nowhere, it’s always been here—or so Stranger Than Paradise might seem.Jim Jarmusch had completed his first feature, Permanent Vacation, in 1980 and spent the next four years working on his second. Screened a few times as a...

Jun 23, 2026 A monthly series brings films worth making time for to an artist-run space in the Bay Area.

Better Parts

The Daily

May 22, 2026 This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

Apr 28, 2026 In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Apr 20, 2026 For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”

Apr 9, 2026 Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.

January Books

The Daily

Jan 26, 2026 The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.

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