Dec 14, 2017 Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...

Oct 28, 2017 We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

May 21, 2017 “Neo-realism isn’t necessarily a genre built for star turns,” writes Guy Lodge for Variety, “but director Jonas Carpignano happened upon one anyway in his debut Mediterranea: Then-preteen Pio Amato wasn’t the lead in that accomplished, affecting refugee drama, but his...

May 21, 2017 We begin with Leslie Felperin in the Hollywood Reporter: “A debut feature from Lea Mysius, who only graduated from Paris’ La Femis film school a few years ago, Ava is a sensual, accomplished but awkward study of teen female sexuality,...

Feb 24, 2016 Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Oct 21, 2014 Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jul 17, 2014 When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...

May 12, 2014 The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.

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