The Criterion Collection
The Daily
May 21, 2017 — We begin with Leslie Felperin in the Hollywood Reporter: “A debut feature from Lea Mysius, who only graduated from Paris’ La Femis film school a few years ago, Ava is a sensual, accomplished but awkward study of teen female sexuality,...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Features
Jul 17, 2014 — When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
In Theaters
Dec 13, 2012 — Repertory PicksThe Museum of Modern Art in New York is holding its first full retrospective of the films of Pier Paolo Pasolini in more than twenty years. Starting tonight and running through January 5, the series will include not only...
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.