Mother and Child

Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.

Feb 2, 2011 — This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...

Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

Oct 6, 2026 — A dystopian drama that draws on the influences of African mythology and hip-hop, Ngozi Onwurah’s debut feature uses a mix of speculative forms to expose anti-Blackness as a system that underpins the modern world.

Aug 27, 2026 — The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Dec 9, 2025 — In her Cannes-award-winning narrative feature debut, Mira Nair sees the lives of Indian street children with an unconditionally generous gaze, taking in their world in all its contradictions and complexity.

Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.