The Criterion Collection
The legendary filmmaker talks about the brilliance of Targets, his memories of collaborating with a young Martin Scorsese, and his experiences as a story analyst at Twentieth Century-Fox and as a distributor of art-house classics like Amarcord.
The acclaimed photographer and music video director, whose film work includes Control and Squaring the Circle (The Story of Hipgnosis), highlights favorite movies by Wim Wenders, Martin Scorsese, and Paweł Pawlikowski.
The Daily
Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.
Nov 18, 2020 — Born in 1976 in Caserta, Italy, Pietro Marcello attended the Academy of Fine Arts, where he studied painting. His documentary Crossing the Line was presented at the sixty-fourth Venice Film Festival and brought him international acclaim. In 2009, his first...
Philip Horne is a professor at University College London and the editor of Henry James: A Life in Letters (Penguin, 1999), Thorold Dickinson: A World of Film (with Peter Swaab; Manchester University Press, 2008), and Tales from a Master’s Notebook:...
Tom Piazza is the author of twelve books, including the novels The Auburn Conference and A Free State, the post–Hurricane Katrina manifesto Why New Orleans Matters, and the essay collection Devil Sent the Rain. He was a principal writer for...
David Ehrenstein has been writing about film since 1965, for such publications as Film Culture, Film Quarterly, Film Comment, Cahiers du cinéma, and Positif. His books include The Scorsese Picture: The Art and Life of Martin Scorsese and Open Secret:...
Jan 22, 2026 — A deft mixture of family epic, romantic melodrama, landscape cinema, and comedy, Burkinabe director Idrissa Ouédraogo’s landmark film balances the universality of its themes with the fierce individuality of its characters.
Jan 22, 2026 — At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.