The Criterion Collection
Jul 6, 2020 — Songbook In the blue moonlight of a humid December night, an escape is underway. A man in army fatigues runs from an open-air cell with a rolled-up rug in one hand and a sword in the other, stolen from someone...
The Daily
Jun 18, 2020 — James Gray is switching gears, Pablo Larraín is teaming up with Kristen Stewart, and Kirill Serebrennikov is set to take on the life of Andrei Tarkovsky.
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
Features
May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...
The Daily
May 7, 2020 — A new memoir occasions a couple of profiles in which the actor spins a few tales many of us may find challenging to deal with.
The Daily
Mar 20, 2020 — Also this week: Filmmaker and filmmakers make their work freely accessible, an appreciation of Barbara Hammer, and an interview with Jonathan Rosenbaum.
Features
Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...
On the Channel
Nov 12, 2019 — Thai filmmaker Sorayos Prapapan’s Death of the Sound Man begins with a black screen accompanied by the mysterious but unmistakably sexual sound of someone slurping. Shortly after, the first shot reveals a young man in a sound booth fellating a...
The Daily
Sep 5, 2019 — Fans of the Swedish director will know what to expect, but he seems to be taking his unique vision in a slightly new direction.
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...