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Aug 20, 2025 He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Apr 17, 2026 From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Apr 16, 2026 This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.

Mar 27, 2026 The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.

Mar 26, 2026 In her riveting documentary Mistress Dispeller, Elizabeth Lo crafts a vividly cinematic exploration of love, marital infidelity, and a drastic form of professional intervention that has become popular in contemporary China.

Sep 25, 2025 To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.

Jun 30, 2025 An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.

Nov 21, 2024 Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.

Aug 28, 2024 United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.

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