I, Myself

Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...

Jun 12, 1991 — I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.

Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 10, 2026 — We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.

May 28, 2026 — In his delightful and engrossing new memoir Flashbacks: A Passion for Film, Peter Cowie brings to vivid life the era we have come to know as the golden age of art-house cinema, an astonishing period in the growth and distribution...

Apr 30, 2026 — The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 20, 2026 — For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”

Apr 15, 2026 — The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Feb 18, 2026 — One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.